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President Nick Firth Oversees Worldwide Expansion Of BMG Music Publishing
By Dale Kawashima
Over the past 15 years, Nick Firth,
President of BMG Music Publishing Worldwide, has accomplished a music business
feat of major proportions. Firth supervised the launch of BMG Publishing in
1987, and since then, he has aggressively built the company’s catalog on an
international scale. By making numerous acquisitions, and by signing and
developing creative talent, Firth has established BMG as one of the world’s
leading publishing companies.
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| Nick Firth, President of BMG Publishing Worldwide |
Firth oversees the entire, international
operations of BMG Publishing, which now has offices in more than thirty-five
countries. The company operates in all genres of music, and publishes (or
administers) such artists and catalogs as the Bee Gees, Eurythmics, Nelly,
Robbie Williams, Wu-Tang Clan, Beck, Erykah Badu, Coldplay, The Calling,
Santana, Barry Manilow and Juan Gabriel. Since its inception, BMG has made
about 150 catalog and corporate acquisitions, including purchasing two of
Europe’s top publishing companies, Italy’s G. Ricordi and France’s Editions
Durand.
Firth has been a publishing executive for
nearly forty years, and he comes from a family with a long tradition of success
in the music publishing business. His grandfather and great uncle, Louis &
Max Dreyfus, were early pioneers in music publishing, having owned and operated
Chappell Music. Firth was born in England, grew up in the U.S., and then
returned to the U.K., where he got his first publishing job. He worked at
Chappell Music from 1962 to 1985, and ultimately became President of Chappell
International in the early 1980s.
It was in 1987 that Firth was hired as
President of BMG Publishing. “My job and challenge was to build BMG into a
worldwide, full-fledged publishing company,” recalled Firth. “The only way we
could accomplish this was by making acquisitions, purchasing key catalogs in
many countries. In addition, we built up our creative department in every
country, which is fundamental. We’ve signed and helped develop talented writers
and artists in every country.”
Part of Firth’s strategy was to build BMG
Publishing by acquiring catalogs, but he also knew that many top, American
music catalogs were already owned by other corporations. “Our competitors had
the great, Anglo-American catalogs, so we had to build our catalogs in
different ways,” explained Firth. “We decided to go into three, niche
businesses in publishing. One of the areas was buying and developing
contemporary Christian catalogs; we have an active Christian music division in
Nashville. Second, we established a top, production music library business. The
third niche was to build our classical music business. We were very pleased to
purchase the great Ricordi catalog in Italy.”
Firth attributes BMG’s successful growth to
its creative and administrative staff, and to its writer roster in each
territory. “We’re only as good as the people who work for us, and the talent we
have,” said Firth. “We’ve been lucky to have great managers around the world,
with top, creative talent.”
Despite its extensive catalogs and many
international offices, Firth takes pride in the individual success stories of
BMG songwriters. During this interview, he expressed excitement about the
success that one of his songwriters was currently having in England.
“We have a writer named Jorgen Elofsson,
who wrote a song called ‘Evergreen,’ which is having great success in England
right now,” explained Firth. “This song was first recorded by the popular group,
Westlife. Then the song was recorded and released as a single by Will Young
(who won first place in the Pop Idol TV talent show), and his single
went to number one for three weeks, selling two million copies. In addition,
the runner-up on Pop Idol, Gareth Gates, also recorded ‘Evergreen’ and
made it the B-side of his single. On top of this, both Young and Gates will be
including ‘Evergreen’ on their upcoming albums. This is a terrific,
old-fashioned, publishing success story.”
Firth looks to have more success stories
for BMG such as this. “The music business is going through a difficult,
challenging time right now; everyone is affected,” acknowledged Firth.
“However, we’re still in a business where a hit can seemingly cure everything.
At BMG, we’re still a relatively young company, and the future remains bright.
We plan on continuing to be very aggressive, building our success stories in
every country.”
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